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The film’s title is a play on the Melvin Van Peebles’s film The Watermelon Man (1970).In the film, the protagonist Cheryl, played by the director, is an aspiring black lesbian filmmaker attempting to bring about the history of black lesbians in cinematic history while attempting to produce her own work because “our stories have never been told.” The film deals with a young woman and juvenile offender named Treasure (Yolanda Ross), who seeks to build a relationship with her estranged mother by getting transferred to the same prison facility once she becomes an adult.What this essay seeks to do is demonstrate Beyoncé's insurgency within the Black normal.

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The collaborative project of the script was then performed in live readings by the twelve workshop participants and presented at the prison.

By the time of the release of the film, seven of these women were released and were able to attend a screening at the Walker Center.

She received her BA from Temple University and her MFA from Rutger's Mason Gross School of Art.

She has taught at the University of California Los Angeles, UC Riverside, Pitzer College, Claremont Graduate University, Pomona College, California Institute of the Arts, The New School of Social Research, and the School of the Art Institute of Chicago.